Items of particular interest include 18 studio portraits of Algonquian Blackfoot chiefs made by Tomar J. For a complete list of all tribes represented in the collection, see the Additional Descriptive Data section.Īpproximately 28 photographs pertain to the three affiliated Algonquian Blackfeet tribes (Kainah, Siksika and Piegan) present in the collection. The following list provides information on photographs (including select call numbers) pertaining to the 13 most well-represented Native American tribes in the collection as well as other items of interest. Collection - Contributor Index to help navigate the collection. Collection - Partial Subject Index and a Richard Pohrt, Jr. In addition, the Clements Library has also created a Richard Pohrt, Jr. With the exception of items deemed to contain culturally sensitive content, all materials in the Pohrt Collection have been digitized and can be accessed online through the Pohrt digital collection platform. For more detailed information on specific images, please use the UM Library Search. For example, approximately 235 photographs relate to the Lakota and Dakota, while the Hopi and Kootenai tribes are each represented in just one photograph respectively.Īll of the individual photographs, albums, and portfolios have been cataloged individually. The amount of material pertaining to each tribe varies considerably. Overall, upwards of 70 Native American tribes and subtribes (primarily those west of the Mississippi and in the Midwest) are represented throughout the collection. However, culturally sensitive images have still been cataloged and are available for researchers in the reading room along with the rest of the collection. Individual catalog records address the full complexities of these issues and include the most commonly used Anglicized and indigenous names and their variants.Īfter consulting a number of Native American representatives and scholars, it was determined that select images within the collection will not be digitized on account of the culturally sensitive nature of their content. The collection contains both studio and outdoor photographs and reflects the dramatic upheavals in Native American life that occurred as a result of the expansion of the United States of America.įor clarity, in this finding aid the most widely-used Anglicized naming conventions have been used for most Native American tribes and individuals. The majority of photographs are individual and group portraits of people from tribes west of the Mississippi, with the Apache, Cheyenne, Crow, and Lakota/Dakota being particularly well represented. Collection of Native American photography contains approximately 1,470 images pertaining to Native Americans and Native American history taken between the 1850s and 1940s.

Richard c finch photographer